People changing films and films changing people is what we're all about here.
Am I the only one who no longer knows where to place 'Entourage' on the irony meter?
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Can the MPAA just pull a film's rating willy nilly? Is this the first time anyone has used the phrase "willy nilly" in relation to a story about torture porn?
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Or, just because you're tasteless enough to listen to late-period Liz Phair doesn't mean you're stupid enough to buy the idea that Catherine Zeta-Jones works.
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Angelina Jolie doesn't stand a chance against Transformers, so Paramount's getting tricky to save their investment.
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If the 'Sicko' poster looked a tad familiar, here's why.
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Everyone's favorite yellow cartoon characters have taken over everyone's favorite embattled blue airline.
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Deciphering a director's diplomatic blog comments.
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Will Blueberry Squishees reinvigorate jaded Simpsons fans?
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A new plug-in may make me feel a little less regretful about impulse-buying Apple's glorified cable hub.
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Harvey Weinstein has always been the loudest guy in Indiewood. Here are three signs that he might be getting ready to shut up and play nice.
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In the first installment of a recurring feature, Spout takes a look at the various ways different blogs and sites spin the weekend box office numbers.
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Could Paramount really be planning to release Transformers simultaneously in theaters and on cable?
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Noah Baumbach's latest stars Nicole Kidman and Jennifer Jason Leigh. And it looks great.
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This week's bloggy craze: a teaser for the new Paul Thomas Anderson flick, starring Daniel Day-Lewis as an oil prospector who "hates most people."
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Sequels tend to be pretty predictable (unless, of course, they're about global warming or directed by Hal Hartly).
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What's the best way to get free publicity? Stirring up some controversy with the federal government seems to work fairly well.
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McConaughey's hair budget aside, there are expenses in movie-making that you would never imagine.
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Is it possible the Long Tail is getting shorter for foreign-language films, as it simultaneously gets longer for movie lovers in the states?
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Should professional film critics be more in touch with pop culture?
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Downloading movies is a slow process that most people don't have time to bother with, but it won't always be that way. What will we do when even more movies compete for our attention?
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A producer and director, fresh off a trip to SXSW with their film, talk to Spout about some of the ins and outs of their filmmaking experience.
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Among other things, filmmaker Matthew Bissonnette tells me that "the best films are like songs, they hit you in a strange mysterious place, and suggest a million wonderful things you haven't ever seen or heard."
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Is the movie industry really facing a crisis as their future audiences grow less interested in traditional entertainment?
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Ignorance was bliss when it came to how much studios spend in their efforts to win an Oscar.
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There's much to love about indieWIRE's film series and some of the unexpected cities it's visiting, starting this week and next.
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It would be nice if a superbly talented new actor in a low-budget Indy film could get a best actor Oscar nomination simply as a result of his acting skills...
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Some films aren't screened for critics in an attempt to stave off a bad rap, but the strategy itself could be creating its own "disaster" label.
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How much math, science, game-playing, strategy and love are involved in the Oscars?
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From late-night distribution deals to packed out parties, Sundance is a true spectacle.
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Arin Crumley, co-director of the film Four Eyed Monsters, has a dream for the future of film distribution. One of our own, Marie-Claire, shares with us a series of emails exchanges with Crumley on the topic.
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It's very refreshing to hear from someone who has helped others get distributed
and has longed for distribution himself.
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Privilege meets underprivilege (in more than one way) in the Starbucks Entertainment film Akeelah and the Bee.
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When corporations like Starbucks begin financing and distributing films, is there more going on than meets the eye?
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Apparently the normally-flourished label "premiere" does not always mean what I originally thought.
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There seems to be a magic formula to securing a big hit. But can freshness be formulated?
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Not surprisingly, YouTube's greatest advantage also seems to be its greatest disadvantage.
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