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Paris Hilton Gets Her Own Film FestBilly the Kid, August Evening Win LAFF
Fall Festival Watch: Wes Anderson, Coens Expected To Make the Rounds
LAFF: Midway Asessment
People changing films and films changing people is what we're all about here.
Film festivals
Billy the Kid, August Evening Win LAFF
Jennifer Vendetti's controversial doc walks home from L.A. with a $50,000 cash prize.
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Fall Festival Watch: Wes Anderson, Coens Expected To Make the Rounds
The Coen Brothers are planning to rack up the frequent flyer miles; also, news on Wes Anderson and Paul Haggis.
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LAFF: Midway Asessment
Notes on Billy The Kid, Trigger Man, and the long-awaited Darby Crash biopic.
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Blueberry Mornings, Afternoons, and Nights
You could spend a good portion of the day (or night) reading reports from Cannes on the new Wong Kar Wai film.
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Definitely not New York, but...
I'll be a fan of anyone who works to get great films shown on big screens in small cities.
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Tribeca 2007: The Buzz-O-Meter
Karina Longworth is one of our favorite film bloggers and formerly the editor of cinematical.com. She will be posting periodically over the next week from the Tribeca Film Festival here on SpoutBlog.
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How water, oil, and being Canadian add up
A producer and director, fresh off a trip to SXSW with their film, talk to Spout about some of the ins and outs of their filmmaking experience.
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A filmmaker on good scores and small casts
Among other things, filmmaker Matthew Bissonnette tells me that "the best films are like songs, they hit you in a strange mysterious place, and suggest a million wonderful things you haven't ever seen or heard."
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Gearing up for SXSW
The festival countdown has officially begun. This year our involvement at SXSW will include getting in on a panel discussion, and creating lots of podcasts.
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Does Sundance have (or need) a pure purpose?
Does Sundance really have an ultimate purpose, or is Sundance just...well, Sundance?
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The mayhem begins tonight
From late-night distribution deals to packed out parties, Sundance is a true spectacle.
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Presidents, levees, and Dixie Chicks
There are many politically-driven films being made, but what kind of impact are they having?
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People at Telluride: Todd Field
Yes, even successful directors get nervous before presenting their work to the world.
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Todd Field's "Little Children"
Field's new film is full of original moments, fully-rounded characters, and the perfect balance between tragedy and comedy.
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What's in a "premiere?"
Apparently the normally-flourished label "premiere" does not always mean what I originally thought.
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So many festivals, so little time
Check out Toronto--a whopping 352 films are programmed.
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The Napoleon formula for Sunshine
There seems to be a magic formula to securing a big hit. But can freshness be formulated?
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Finding the movie of me
As filmmakers, we're all struggling to learn how to stop mimicking our favorite films and find the film that's truly about ourselves.
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Just tell your story, no excuses
If you have a story that needs to be told, tell it. That's what Colin Gray did, even when his story seemed too bizarre to come together. Maybe the stories we feel most deeply about, but also doubt the most on the surface, are the most important ones to tell.
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Immediate stories
Why do so many films rely on a wildly eccentric character or some big secret being revealed? Why can't more people tell the stories right at their fingertips, and tell them really well? Ed Burns did that with Groomsmen.
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3,000 Miles Away from LA
Under the current assumption—that all the checks in the filmmaking business are signed in LA—you have to either be in LA or have close ties there to make it. That was the basic message at a recent Waterfront panel. But what if the paradigm shifted?
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Time for a little Waterfront celebration
Summer's here. So is our favorite festival—the Waterfront Film Festival. We're hosting the opening night outdoor viewing (can you say inflatable movie screen?) of Pittsburgh, and talking to people about all we've been up to at Spout since Waterfront last year.
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Immediate gratification
What can Unhitched, Lighten Up, Losing Lusk and Twitch each do to us in 12 minutes or less? Whatever it is, it's pretty amazing, and we're going to get our fill of shorts at Waterfront.
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Need inspires change. Change inspires imitation.
Here's something we all need: a good laugh. I think Vince Vaughn and Owen Wilson are funny guys, but comedy has a short life. Seen any "Hans and Franz" sketches lately? Right. So a funny movie that didn't follow the...
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Gatekeepers
This year, Park City, among other things, is abuzz with what the Internet will do to make films accessible that weren't accessible before. For instance, in the Queer Lounge at Sundance, withoutabox.com announced some basic community tools on their website...
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Keep the theater, lose the multiplex
So typically the buzz at festivals has to do with films. This year at Sundance and Slamdance the buzz includes all sorts of new experiments to keep independent and foreign films in the "black box" without pandering to the multiplex....
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Wassup Rockers
I'm in Park City in between films at the Slamdance Film Festival. Last night I saw Larry Clark's new film Wassup Rockers. Like Kids before it, he captures something rarely seen on screen about adolescence. So rare I'd forgotten I...
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Sundance '06: Rookies take Park City
Eugene Hernandez over at IndieWIRE recently interviewed Geoffrey Gilmore, Director of the Sundance Film Festival. The point of the interview, for Gilmore, was to make it very clear that this year's Sundance will be less a winter fashion show for...
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IFP Chicago, Part Deux
(This post makes reference to two films discussed in my last post) I think Bob Schulz's comment on my last post is a great way to start this next one:So how does a director feed his ego? Make a smaller...
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IFP Chicago, Part I
I spent Saturday at the IFP Filmmakers Summit in Chicago. I have to say that being there only reinforced something I believe, which is there's no right or wrong way to go about making a film. There's only the way...
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On short films.
I spent the morning here in Austin going to panel discussions around short films. Here are some basic points made again and again: Keep it simple. Focus on tone and theme, not plot. A good short film will not make...
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At the Austin Fim Festival
I'm at the Austin Film Festival. I've found at other film festivals that panel discussions can be really hit or miss. Often conversations can meander around filmmakers saying the same things, although they may be good things like "Don't give...
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Kissing On The Mouth
I feel the winds of change. At the Chicago International Film Festival I encountered a remarkable new film called Kissing on the Mouth. It is carrying the same torch as Susan Buice and Arin Crumley's Four-Eyed Monsters, which I...
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