People changing films and films changing people is what we're all about here.
I'll be a fan of anyone who works to get great films shown on big screens in small cities.
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The Filmmaker Magazine article is a good read, and the mumblecore collaborations are a good model.
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McConaughey's hair budget aside, there are expenses in movie-making that you would never imagine.
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Can anyone promise to deliver all laughs, all the time?
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Watching movies outdoors is appealing for the nostalgia and novelty. But if you throw too much money at it, the novelty can quickly overpower everything else.
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We're pretty much clued in on what computers are capable of, yet filmmakers still love to exaggerate their capabilities to accommodate the story.
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Is it possible the Long Tail is getting shorter for foreign-language films, as it simultaneously gets longer for movie lovers in the states?
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Should professional film critics be more in touch with pop culture?
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